"Jones gives us a gray space that is not usable, but is rich in metaphorical possibility. The placement of her camera is powerfully alienating. She manages to transform contractor’s protective sheathing into veils, shrouds, and transformative filters. There are references here to entombment, but alternately there are optical phenomena that seem to celebrate light and space. Downtown construction is re-contextualized into a space where we feel encouraged to meditate upon its nature and meaning. Spaces are enclosed, and we are denied access to them at the same time that familiar forms are transformed into something transcendent."